The Church

The Church of The Dead God

The Church of the Dead God is a series of works produced between 2022 and 2023 examining contemporary American political and digital culture through the lens of traditional religion. 

Artist Statement

"God is dead. God remains dead. And we have killed him." 

-Friedrich Nietzsche (The Gay Science, p. 181.)

Traditional religion is dying in our society. But with it so too do the benefits: namely a sense of purpose, community, and answers to moral questions. I am not interested in the "Death of God," for the same reasons Nietzsche was, rather I am interested in the hole left behind. I am convinced that political activism has become for many (particularly those who felt outcast by the former,) a new kind of religion. But when the location of morality is shifted from the idea of a transcendent call and placed at the level of consequence, pleasure, or mob approval, where do we end up? Are we capable of rationalizing a set of collective values or truths without a higher authority? How can we praise a form while condemning its shadow? To explore these thoughts I have spent a year creating objects of reverence using graphic images, texts, and figures sourced from the internet. Alongside these icons, I have created a series of reliquaries to house items reflective of our time, and a self-destructive Christ figure. With this, I invite you to contemplate your beliefs inside The Church of the Dead God.

"I Scream Until I'm Not Alive." and "I'm Not Alive Until I Scream."

Oil on canvas. 5"H x 4"W each.

"I'm Whole Until I Cut." and "I Cut Until I'm Whole." 

Oil on Canvas, 5'H x 4'W each. 

"I'm Beautiful Until I Eat." and "I Eat Until I'm Beautiful."

Oil on canvas. 5'H x 4"W each

"In The Beginning Until the End."

2023

ceramic, paint, steel, epoxy, fabric, iPod Touch 3rd gen.

10"H x variable width and depth

"Reliquaries for Lost Virtues: Wrath." 

2023

ceramic, glass, paint, gold leaf, wood, fabric, epoxy, 223 Hollow Point Round

"Reliquaries for Lost Virtues: Pride."

2023

ceramic, paint, amethyst, glass, epoxy

"Reliquaries for Lost Virtues."

2023

ceramic, paint, glass, condom

"Mourning Star." (2022-2023) 

ceramic stoneware, paint, steel, epoxy, and synthetic hair. 

67"H x 28"W x 28"D


This piece serves as the central corpus of The Church of the Dead God. Hung higher than any other piece in the gallery, it serves as a focal point within the space. This work stands in the place of a traditional martyr or sacrificial lamb, by destroying itself while surrounded by icons of the world we live in. 


This sculpture was initially fabricated from solid clay, then hollowed, fired, and painted using a technique similar to Spanish polychrome. After this, synthetic hair was applied, and a steel hanging system was created. 


“And the LORD God formed man of the dust of the ground, and breathed into his nostrils the breath of life; and man became a living soul.”

-The Bible, Genisis, 2;7, KJV